Wednesday, January 18, 2012

A Home

It’s three A.M. and I can hear that noise again. The sound that echoes from the ancient heating system in my building. Blips of dripping water combined with the atonal glockenspiel orchestra of twenty-some-odd ancient radiators. They used to keep me awake, but after a year here, I’m not sure I could fall asleep without them -- without them or without the perpetual, rhythmic creak that the tenement exhales every few minutes. “The place has neshama!” according to its owner, Mrs. Storch, a sweet, but jarringly judgemental old Slavic Jewish woman who wears too much makeup and hunches over a bit. Apparently she moved here after World War II. The building is falling apart.
“Falling apart?” she scoffed, in Yidd-tinged English. “A building, especially an apartment building, needs neshama, you know neshama?” she prodded, ruffling her pink, polka-dot, silk nightdress.
“No?”
“Soul, it needs soul, a building needs soul.” she clarified hastily . “A building, a home, needs for to be a -- a -- a -- what do you say as another world for living thing -- a being?”
“An entity?”
“A entity, it needs for to be its own entity. Its own entity with its own quirks and strengths and weaknesses and secrets, just like everybody else. These new steel and plastic towers they build? Nice with their beige carpets and their, and their life-less, pre-made walls and floors. Sure they go up in two months, but no character, no story, no neshama. This place, these floors, those walls, were built by hand and have seen generations, pain, happiness, sad times, Hanukkahs and Christmases, honeymoons, divorces, death, and more sex than any one person can imagine. Falling apart? this place is just maturing like anyone else.”

Thursday, January 12, 2012

Shakespeare on Caffeine

Shakespeare & Coffee

Coffee and A Midsummer Night's Dream
Solipsism on Caffeine
Bill and the bean
Blurring the lines 'tween
dream, theme, meme and scene
investigating ever-opening passages
of the meta
nesting microcosms
beautiful babushka poinsetta
the rosetta
stone of modern english
the comedic existential
tragicomic rice and bean dish
a mezcla most rare
shiny foil liter-rare-
y mental trading card
the bard bringing it
hard back basics
the OG no fakes it
Billy Shakes
wakes and stirs the all the souls theatrical
immersing the audience by waxing lyrical
empirically engaging changeling boy trading
cupid-flower waving
lover-exchanging
Fairy-folk eschewing reality
while I view this causality
through a mind's eye
amped on a strong cup of joe
so thoughts flow
and they grow
ever-expanding
ever-exploring
ever-pervading
never ignoring
the smallest details presented in text
by the wordsmith of Stratford
cunningly constantly coarsely
punning 'bout beauty, life, love,
but mostly sex.

All Melange Franรงais and no lait
makes Jack's brain play with
notions of genre recursion
bean potion's granting full immersion
in Will's world of wordplay in his plays within plays
and the insane poetic vein in the amazing maze of allegory
in a story with such purpose told without stage directions
instead predilections of director and actor deciding
presiding over what is to be or not
casting their signature spotlight
on what does and does not fit right
in their quote un-quote new view
of a masterpiece that moves through
time and place changing face
leaving traces of its cultural impact
craters of genius in the intellectual landscape
fact: the man brought at least fifteen-hundred new words to this language
fact: the reason his plays are cliches is 'cause they originated it
quandary: can any art be interpreted through a lens un-tinted by his work?
ponder with me without him
whether the terrain of literature would wear its signature sly grin
whether Gogo and Didi would've waited
whether Behemoth would've bated Stalin with Woland
whether Willy Loman would've been insured
whether Woolf would've incurred fear in George, Martha, Nick, & Honey
whether the Eckleberg eyes would see
or J. Gats would be
while I agree it is of course a matter of flutterbys and wind and their effect
I conject a direct connect between the cinder-blocks placed by his works
the mortar spread with each verse 
and the present holistic existence of the written word.