Hey you,
yeah you with the wall.
I just wanna say how lucky I feel
that, through a combination of serendipity and dorky charm,
I merited a pass throught he brass barrier.
Unwittingly, I entered the company
of a being of immense depth
and range,
capable of profound
tenderness and stony resolve.
Existing as a series of wonderful contrasts between
the adorable and the pugnacious
the playful and the strictly business
flippant and caring
coarse and subtle
extroverted and introspecting --
guarded --
vulnerable.
Hey you -- yeah you with the wall
yeah you with the grin that says more than most people
you with the eyes
you -- yeah you with the mind,
I think I can see you
Monday, May 14, 2012
Your Grave
I saw your grave today.
Your headstone is a wistfully beautiful tree stump
carved from marble ages ago.
It was once white, dappled with subtle grays in its metamorphic bark,
but the years have spray-coated it in a layer of black,
casting shadows over each ridge, groove, and notch in the surface,
making it seem even more alive.
On the smooth, angled plane that is its top,
two things are carved in relief,
mid-stump – an oak leaf, with two acorns,
and along the curved edge of the cut surface, the words
“My husband”.
I saw your grave today, and assumed that the stump was
a metaphor for your death – cut down in your prime.
At first I was sad, mourned the loss of a man,
but then my mind shifted to the top of this stone stump.
If it is indeed the base of tree, then I can only imagine how glorious a tree it was.
Given the size of the stone, it wasn't an enormous tree,
but a strong, middle-aged stone tree
with many sturdy branches.
This solid marble oak must've stretched twenty-five feet high.
From each well-carved limb
would hang twigs of granite, leaves of mica, and obsidian acorns
all moving and shimmering in the sun and wind
in completely different and equally beautiful ways.
Each fall it would shed treasures worthy of any rock collection.
I picked up a piece of muddy calcite a couple feet away
and set it next to your grave out of respect.
Respect for what a sight that tree must've been.
Your headstone is a wistfully beautiful tree stump
carved from marble ages ago.
It was once white, dappled with subtle grays in its metamorphic bark,
but the years have spray-coated it in a layer of black,
casting shadows over each ridge, groove, and notch in the surface,
making it seem even more alive.
On the smooth, angled plane that is its top,
two things are carved in relief,
mid-stump – an oak leaf, with two acorns,
and along the curved edge of the cut surface, the words
“My husband”.
I saw your grave today, and assumed that the stump was
a metaphor for your death – cut down in your prime.
At first I was sad, mourned the loss of a man,
but then my mind shifted to the top of this stone stump.
If it is indeed the base of tree, then I can only imagine how glorious a tree it was.
Given the size of the stone, it wasn't an enormous tree,
but a strong, middle-aged stone tree
with many sturdy branches.
This solid marble oak must've stretched twenty-five feet high.
From each well-carved limb
would hang twigs of granite, leaves of mica, and obsidian acorns
all moving and shimmering in the sun and wind
in completely different and equally beautiful ways.
Each fall it would shed treasures worthy of any rock collection.
I picked up a piece of muddy calcite a couple feet away
and set it next to your grave out of respect.
Respect for what a sight that tree must've been.
Poets Picnic
Poets Picnic
out to the woods as
the sun sets
and
clouds roll in with warm gusts of spring wind
two
poets talk
about how the air is swollen with the
scent
of an incoming storm and how the
atmosphere is one of pure, stark,
natural potential and how
natural potential and how
they
could both go for some real lightning.
Indulge
them – they're poets.
Walking and talking,
one poet hands the other some
Swedish Fish and asks how he feels about
one poet hands the other some
Swedish Fish and asks how he feels about
peanuts and Twix respectively.
They
continue talk-walking
eating candy and
philosophizing.
As
they chew on
Red-40,
Gelatin,
and
High Fructose Corn
Syrup
their meandering stroll asks the world a
question,
“What does a poet consume?”
What
does a poet consume?
The poets, aware or not, begin answering.
A
poet consumes the sound
of wind moving thousands of leaves,
of wind moving thousands of leaves,
the smell of spring in muddy woodland paths
and
turbulent March air,
the cooling warm of southern wind
smoke
from smoldering tinder
light filtering through pines
the
bass-boom of thunder
the greyscale of a post-sunset forest
places
sights
stories
memories
words
music
emotions
thoughts
Twix.
Escape
It was hot
it was confusing
it was safety-danger and
flawless-fucked
it was love in some form.
But
We used each other to forget,
simultaneously experiencing and creating escapist fantasy.
Together we re-wrote and read New
Tolkien among clasped fingers,
between urgent lips, and on soft
earlobes.
I traced Escher's spirals on your
shoulder-blades and you saw them in my uncut hair.
Our perspectives were warped and novel,
taking twisted cues from del Toro in
the films we projected behind dilated pupils.
Emulating Ailey we danced – in
walking, talking, sex, & sleeping.
As with a good book series, we'd lose
ourselves in each evolving iteration, consuming the fantastic
ravenously with no thought to that final phrase.
Subscribe to:
Posts (Atom)